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Showing posts with label antiques. Show all posts
Showing posts with label antiques. Show all posts

Saturday, May 5, 2012

Where I Came From

I bought myself a birthday gift today.


I don't know much about it, but that doesn't bother me.  The seat is covered in a coral-hued fabric, there's wicker underneath the cloth.  The back is punched leather, and there's wicker behind that, too.  The little sticker from the antique mall just said, "Swivel Chair - Oak.  $85".  I offered to pay cash, so they gave it to me for $70.  Life is good, you know.

I saw it a week ago, and I wanted it then, but my wife and the babies and I left the antique mall last weekend and I let myself think about it for a couple days.  See, I'm a pretty impulsive guy, so I thought I'd see if I still wanted the chair come, Wednesday, say.  I did.  Ten years ago, I bought a wooden swivel chair from K-mart and, well, it's just not the same.  There's no character, no history.  No one's ever farted in that K-mart chair besides me.  I like things that have been farted in, apparently.  You should see my trouser collection.

So, today, I put the babies in the car and, on a whim, I picked up the phone and called my father.

"Hey, want to take a ride with me and the babies?  We're going to an antiques mart to pick something up."

"Where?" he asked, "you mean, like across the street, or like, New York?"

"Well," I hedged, pulling up to their house, "it's somewhere in between."

The antiques mart is 23 miles away from where we live, and is around a 45 minute drive.  The babies were blissfully quiet in the back, and my father did what he does best-- which is keeping conversation going.  He asked me questions about the babies he already knew the answers to, or had forgotten, he chatted about a conference for entrepreneurs he attended where he met the mayor and inadvertently put his foot in his mouth-- this happens a lot.  He talked about successfully suing a local radio station, for what I have no idea, and his thoughts about possibly suing his web design contractor.  My father also wants to sue the hospital where my brother-in-law was diagnosed with and treated for the cancer that quickly killed him, but thankfully that subject didn't come up on this leisurely drive down Route 1.

"I hope this thing actually fits in the car," I said during a silence, "I didn't take any measurements."  I never do.

"What are we picking up?" he asked.

"Oh-- it's an office chair, an antique office chair with a cloth seat and a leather back."

He looked at me.  I looked at the road.

"Where did you come from?" he asked, shaking his head, "I mean, seriously-- an antique fucking chair?  Where did you come from anyway?"

I shrugged.

"You know, I ask myself that question a lot, too."

"I mean, I know I have family on my side that liked music and things-- and my cousin, you know, the one that was in love with my brother, she had an antique show in South Africa a while ago.  But you?  I just don't know what it's all about."

And he never did.  But one thing that was always understood was that, however bizarre and off-the-wall my latest interest was, he would be there to indulge it.  During the late eighties, when the Olympics were held in Seoul, I decided, at age 8, that I was going to grow up to marry a Korean girl.  The language fascinated me, so I would have my father drive me to Darby-- 69th Street-- where there was a small Korean enclave, and I would look at all the strange neon signs on storefronts and windows, and I would make him buy me Korean language newspapers that I would take home and study, and copy onto lined paper.  My lust for antique VW Beetles raged unquenchable for years and, when I was fourteen, a 1966 Beetle-- Bahama Blue-- somehow ended up in our driveway.  I sometimes went off to summer camp dressed in a dark blue, heavy wool three-piece suit in 100-degree weather.

No one ever said "no" to me.  But they probably always wondered "why".

I don't know who they would have asked.

"Look," he said to me as I piloted my wife's Honda Fit towards through the towns leading to the antique mart, "just be who you are-- you always were who you are.  The minute you start to change, you can't live in your own skin.  I never changed for anybody."

"Yes," I said, "you did.  You changed a lot."

It was quiet for a second.

"Yeah-- okay, yeah, I did.  But I knew if I was going to stay in this country, I'd have to change-- otherwise it wouldn't be fair to anybody."

I've changed, too.  I'm a husband, and I'm a father, two times over.  I'm no longer chasing dreams of policing the streets as a genteel beat cop, and I'm satisfied with the humble life of the occasional community theatre performer.  I'm no writer, I'm a blogger, and that's okay with me.  When my wife was pregnant, she was worried that the babies would change us into some unrecognizable entity, that they would supplant our identities.  It happens, you know.  Just look at the Facebook profile pictures of the people you went to school with-- many of their profile pictures have been replaced with pictures of their offspring.

But that's supposed to be you.  There's still a you in there-- isn't there?  That's what identity is, I think; who we are and what we love and what piques our interest.  My identity is comprised of my preferences and my proclivities and my habits and my collections.  My sillies.  And I suppose I'm glad I'm still bringing back silly things from antique malls.  And I think, in his way, my father's glad, too.

Monday, October 25, 2010

Dusty Old Racism

My wife and I went to Cape May yesterday. Going to the beach in mid-October has its advantages. There are no beach tags, no lifeguards to collect said beach tags, no annoying people listening to the Phillies game on portable radios, no annoying people smoking, no annoying children kicking sand in your face....

No, well, people.

It was 71 degrees. The perfect type of weather for consuming freshly-prepared chicken and vegetarian sandwiches on portable chairs, running lines for my upcoming production of Iolanthe, and basking in the glow of four years of marriage to my partner. In crime.

Don't worry-- it's mostly misdemeanors. We're pretty vanilla.

Our mid-October trek to the beach was sandwiched in between trips to antique shops. Antiquing is a strange sort of hobby that neither my wife nor I enjoyed very much until we got, as Basil Fawlty would say, "manacled together," and, ever since then, it is something that we very much enjoy doing. Typically, we have a mission. We need some obscure item for some even more obscure reason. Case in point: we found one day that we needed a china cabinet. Why would a thirty-year-old and his twenty-nine-year-old bride necessitate a china cabinet? Because my wife's great-aunt Frieda (my wife's father's father's sister) passed away many several years ago, and neither her son nor his children wanted her prized Limoges china.

Well, we wanted it! Bring on the crap-- we'll find a home for it and, if not, we'll buy a home for it. (Actually, my mother-in-law paid for the china cabinet, which was very nice. We paid for the rental van to schlep it to our house.)

Hunting for the china cabinet was entertaining. Antiquing becomes more of an adventure when you have an actual mission, something specific you are looking to procure. A pair of antique eyeglasses for a play, a pocketwatch to add to the collection, some odd piece of Victoriana that you just can't do without when you're, um, gay.

However, this weekend there was no specific mission, nothing on the horizon or agenda that we needed or that was lacking in our lives. We were just another couple, puttering around the vast depths of the past's detritus, seeing if something glittery or something threadbare might catch our eye.

Nothing really did, and we bought exactly nothing (well, except for an overpriced Kit-Kat Bar [not antique] because we were on a bit of a sun-drenched sugar-low by around 3:20pm) but we still enjoyed our little romp through the decades and centuries.

I don't particularly know why people go antiquing, and I'm not even particularly sure why we do it, but we do it. We don't have especially a lot of money to toss around, and, when we do make purchases at antique shops, they usually aren't terribly momentous ones. A $40 typewriter, a $15 pair of glasses, nothing very dramatic or impactful. Maybe that's why I like antiquing, because there's something that makes it accessible for everyone. We know we're not going to come home with a $3,000 armoire, and that's okay with me.

I like antiquing in various parts of the country to see the objects that pop up in different geographical areas. Antiquing in Hershey is fun because of all the chocolate-related business. Antiquing in Lancaster yielded lots of Amish goodies, and also lots of Pennsylvania Railroad stuff, including comfy-looking woolen blankets given out to passengers emblazoned with the PRR logo. Gone are the days of such luxuries.

Some antique shops have bins of shitty old VHS tapes. These boxes are required, by law, to contain the following:

"Sweatin' to the Oldies with Richard Simmons"

"Top Gun"

"Porkys"

"Uncle Buck"

"Fatal Attraction"

"Caddyshack II"

And there's always some Jesus shit for children, with some terrible drawing of J. C. wearing a dress with his arms outstretched and a camel and a sheep standing around looking stupid and a big star shining in the sky or something.

And then there's always the Nazi stuff. In the larger antique marts that are home to multiple vendors, there are booths manned by the following archetypes:

Charming elderly lady

Catty elderly lady

Morbidly obese elderly lady with cyanosis, attached to an oxygen tank

Ex-hippy middle-aged woman with hair down to her ass

Liver-spotted elderly man who smells like a century-old humidor

Vaguely homosexual man wearing sunglasses and a kimono and smells kinda purty

Ex-army whackjob with PTSD and a twitch

The latter gentleman is most typically the one who's got the Nazi stuff, and it's challenging being an overtly Jewish schnozzite walking past this type of antique-dealer's booth without feeling a bit, well, prickly. And scared. And moist in the trousers-- and not in the good way, either. There's just something about seeing a case containing a bunch of knives bigger than my torso, surrounded by German army officers' uniforms and swastikas and SS patches everywhere that kind of makes you want to lose your lunch.

There's also, of course, the black stuff. I jokingly refer to it as "Negrobilia." Aunt Jemima grins at you in thick-lipped consumeristic glee from inside alarm clocks, transfered onto serving plates, from her original cardboard and paper boxes and advertisements-- and you can still see her in the supermarket, turning stomachs of liberal-minded white folks since 1893. There's ceramic renderings of wide-eyed elderly black men in sharecropper's garb settin' on down on a fencepost, suckin' down some watermelon, boss, and salt-and-pepper shakers made to look like a slave and his wife. Let's not even get started on the creeptastic Al Jolson record covers. Jazz hands, indeed.

And, somehow, it's perfectly okay to put all that schlock out for sale, amongst the rotary telephones and the filigree engagement rings with the old mine-cut diamonds, the red-handled kitchen tools, and the Victorian hair mourning jewelry. Don't ask me why, or how, because it always still feels wrong to me.

Then again, so does Victorian hair mourning jewelry.